Back when I started, when I opened Take the Money and Run, the guys at United Artists accumulated the nation's criticisms into a pile this big and I read them all. Texas, Oklahoma, California, New England... That's when I realized that it's ridiculous. I mean, the guy in Tulsa thinks the picture's a masterpiece, and the guy in Vermont thinks it's the dumbest thing he's ever seen. Each guy writes intelligently. The whole thing was so pointless. So I abandoned ever, ever reading any criticisms again. Thanks to my mother, I haven't wasted any time dwelling on whether I'm brilliant or a fool. It's completely unprofitable to think about it.
